“The catalogue is not short of recommendable versions of Janácek’s Inti­mateLetters Quartet. But there are any number of ways of bringing its hyper-passionate declarations off the page, and this young Czech quartet have plenty of ideas of their own about that. Once or twice that leads them into an overcalculated delivery. But try the third movement at 2’58” where, having fined the texture down to a whisper, Janácek gives the first violin an electrifying outburst: it’s hard to imagine if that contrast has been made more emotionally real on record. But then there is the 1925 Second Quartet by the composer whose name the players have adopted. This is the kind of piece that may make you wonder why you haven’t heard it before. After a first movement that tellingly redeploys a number of patent Janácekisms, Haas slips into the grotesque humour of Stravinsky’s Thre­ePieces for String Quartet and once again fashions a structure that transcends reliance on its model. In the finale whackiness goes a step further, with a rollicking jazz-folk fusion, brilliantly caught here together with the original drum-kit accompaniment that Haas suppressed following adverse criticism at the premiere. The PHQ’s streamlined but full-blooded playing is more than welcome, and if they are lining up the first Janácek and the first and third Haas for a followup CD, bravo! Superb recording quality too.”

The Gramophone Classical Music Guide 2010